"Courtland Blade seems to be drawn to such alienated buildings, such as in "The Parking Garage," which lacks a human presence and, as such, has a somewhat sinister feel. But there's an oddly attractive element to this oil on canvas painting, and its repeating round circles of light on the concrete floor of the parking garage draw you in like the luminous masses of color in certain Mark Rothko paintings." (Nuvo, Dan Grossman)